科研成果详情

In Produce Camp 2021, an online Chinese talent show, an underdog named Lelush rose to fame as a slack laborer icon. This study investigated this case through a critical discourse analysis incorporating media events theory, the concept of carnival, aesthetic public sphere theory, and the concept of structures of feeling. It was revealed that the audience related to Lelush's slackness on carnivalesque social media, indirectly addressing work oppression and social stratification in an aesthetic public sphere. However, the audience's ambiguities, where they also objectified Lelush, somewhat diminished the aesthetic discussions’ critical potential. This contradiction suggested a new structure of feeling associated with rapid social changes in China. Besides, this study demonstrated that although the audience discourse appeared challenging, it was harnessed by the producer for commercial benefit. Meanwhile, as the audience's critical discourse did not directly threaten the political legitimacy, the Party-State allowed it for political and economic purposes.