题名 | How Live Stream Session is Developed to Guide Value Co-creation between Streamer and Audience: An Ethnographic Investigation based on Dramaturgical Theory |
作者 | |
发表日期 | 2024 |
会议录名称 | Proceedings of the International Conference on Electronic Business (ICEB)
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ISSN | 1683-0040 |
卷号 | 24 |
页码 | 235-246 |
摘要 | E-commerce live streaming has become one of the main retailing approach for online selling. It resembles a well-organized drama performance which encourages audience to make purchase. Such format of online selling proves to be more effective than conventional online selling by creating desired value for audience. However, the creation of value is a complex and interdependent process rooted in the dynamics between streamers and viewers. It is thus imperative for industrial professional and academic researchers to understand the complicated practice in E-commerce live streaming. Extant literature still lacks systematic discussions over the complicated process related to value creation in e-commerce live streaming. Therefore, drawing on Dramaturgical Theory and Consumption Value Theory, this study employs an ethnographic research design to explore how a live stream session is developed and managed to create desired value together with the audience. The systematic typology of live stream practices is proposed as the foundation for theoretical discussion. |
关键词 | consumption value theory dramaturgical theory E-commerce live streaming ethnography |
URL | 查看来源 |
语种 | 英语English |
Scopus入藏号 | 2-s2.0-85213329726 |
引用统计 | |
文献类型 | 会议论文 |
条目标识符 | https://repository.uic.edu.cn/handle/39GCC9TT/12968 |
专题 | 北师香港浸会大学 |
通讯作者 | Lin,Bosen |
作者单位 | 1.Beijing Normal University,Hong Kong Baptist University,United International College,Zhuhai,China 2.Xi’an Jiaotong-Liverpool University,Suzhou,China 3.University of Nottingham Ningbo China,Ningbo,China |
第一作者单位 | 北师香港浸会大学 |
通讯作者单位 | 北师香港浸会大学 |
推荐引用方式 GB/T 7714 | Lin,Bosen,Wang,Yihan,Hou,Fangfanget al. How Live Stream Session is Developed to Guide Value Co-creation between Streamer and Audience: An Ethnographic Investigation based on Dramaturgical Theory[C], 2024: 235-246. |
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