发表状态 | 已发表Published |
题名 | Colonial Sounds and Aural Interferences in the Dadaist Sound Poetics of Hugo Ball and Tristan Tzara |
作者 | |
发表日期 | 2017 |
发表期刊 | STUDIA THEODISCA
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ISSN/eISSN | 1593-2478 |
卷号 | 24页码:5-28 |
摘要 | This essay juxtaposes practices of sound storage in a World War I context with the contemporaneous use of sound in Dadaist poems and the ways in which Dadaists reimagine ethnographic discourse from a visual construct into an aural one. By focusing on the change in discursive genre that emerges with war-era attempts at creating a museum of sound, this essay sheds light on the changing place of the Other between national imperatives and colonial possession, as mediated through Dadaist practice. |
URL | 查看来源 |
收录类别 | ESCI |
语种 | 英语English |
WOS研究方向 | Literature |
WOS类目 | Literature, German, Dutch, Scandinavian |
WOS记录号 | WOS:000419273200001 |
引用统计 | |
文献类型 | 期刊论文 |
条目标识符 | https://repository.uic.edu.cn/handle/39GCC9TT/9950 |
专题 | 个人在本单位外知识产出 |
推荐引用方式 GB/T 7714 | Rotaru, Arina. Colonial Sounds and Aural Interferences in the Dadaist Sound Poetics of Hugo Ball and Tristan Tzara[J]. STUDIA THEODISCA, 2017, 24: 5-28. |
APA | Rotaru, Arina. (2017). Colonial Sounds and Aural Interferences in the Dadaist Sound Poetics of Hugo Ball and Tristan Tzara. STUDIA THEODISCA, 24, 5-28. |
MLA | Rotaru, Arina."Colonial Sounds and Aural Interferences in the Dadaist Sound Poetics of Hugo Ball and Tristan Tzara". STUDIA THEODISCA 24(2017): 5-28. |
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