发表状态 | 已发表Published |
题名 | The Dilemma of the Revitalization of Intangible Cultural Heritage and Global Homogenization: The Case of Techno Nezha in Taiwan |
作者 | |
发表日期 | 2016 |
发表期刊 | IAFOR Journal of Cultural Studies
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ISSN/eISSN | 2187-4905 |
卷号 | 1期号:2页码:47-64 |
摘要 | This article concerns itself with the rise of a specific kind of representation of the Daoist deity Nezha in contemporary Taiwan, namely that of Techno Nezha. In many celebrations, the traditional figure of Dancing Nezha has been revitalised into the popular deity dancing to techno music. The article further analyses a survey undertaken by Yuan (2013) which came to the startling conclusion that rather than distracting from the spiritual message, Techno Nezha was able to inspire as much religious reverence and awe as the traditional character. Building on this, a theoretical discussion then ensues on how far tradition can be pushed before it loses the very content it attempts to transmit. This is especially relevant in times of global cultural symbolism in which local cultural intangible heritage knowledge is severely challenged. |
关键词 | Nezha intangible cultural heritage traditional culture Taiwan |
语种 | 英语English |
文献类型 | 期刊论文 |
条目标识符 | https://repository.uic.edu.cn/handle/39GCC9TT/6757 |
专题 | 个人在本单位外知识产出 |
作者单位 | 1.Department of Fashion Imaging, MingDao University, Taiwan, China 2.Monarch University, Switzerland and Xi'an Jiaotong-Liverpool University, China |
推荐引用方式 GB/T 7714 | Yuan, Leo,Briel, Holger. The Dilemma of the Revitalization of Intangible Cultural Heritage and Global Homogenization: The Case of Techno Nezha in Taiwan[J]. IAFOR Journal of Cultural Studies, 2016, 1(2): 47-64. |
APA | Yuan, Leo, & Briel, Holger. (2016). The Dilemma of the Revitalization of Intangible Cultural Heritage and Global Homogenization: The Case of Techno Nezha in Taiwan. IAFOR Journal of Cultural Studies, 1(2), 47-64. |
MLA | Yuan, Leo,et al."The Dilemma of the Revitalization of Intangible Cultural Heritage and Global Homogenization: The Case of Techno Nezha in Taiwan". IAFOR Journal of Cultural Studies 1.2(2016): 47-64. |
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